She is pure Rock ‘n’ Roll and maybe the Rawest Blues girl around. Molly Gene One Whoaman Band is as energetic as lightning and above all fine hill country blues rock. She has been performing solo for the last seven years or so, recording and issuing albums (five to date), and organizing endless tours that eventually got her noticed in Europe.
This weekend I was blown away by One Man band Bror Gunnar Jansson from Sweden with his version of “Ain’t No Grave (Gonna Hold My Body Down)”. Bror stands out for his rhythmic techniques as a one-man band drummer. His voice is dark, raw edged, and like the delta deep as the soul of the lonesome fields.
He Hails from southern Spain and calls himself Hot Nasho and Himself Orchestra. This one man band blues brother recovers songs of old bluesmen and other tunes from the 20´s to 60´s in the blues, ragtime, swing and Rock n Roll genre. This music swings, grooves and is a pleasure to listen to!
One man band the “Himself Orchestra”
You might have heard Hot Nasho with his main project as “one man band” (Hot Nasho and himself orchestra). As a one man band, he has recorded two self-produced album. The debut album, “All packed to go”, appeared in 2012, and three years later published the second one, “Right from wrong”.
Daredevil love — Hot Nasho and himself orchestra
New Album Hot Nasho “Lain Down Thinking”
Now, you can find his third album “Lain down thinking” which includes only his original compositions. This album contains a mix of instrumental songs like “Winding Road” and lyrically groove songs like “Daredevil Love”.
Hot Nasho and Himself Orchestra – Pretty Sinner Baby
He shares his birthday with blues legend Muddy Waters and is known for his outstanding one man band performances Scott H. Biram brings us Country and Blues inspired songs with a taste of the heavier genres.
On his website you’ll read that Scott H. Biram makes music: “With the heart of a genuine Texas bluesman, the head (banging) of a Zappa and Lemmy disciple, and boots resting in the dust outside of town at sunrise”. This february 2017 he released his latest and sixth album for Bloodshot records called The Bad Testament. It contains thirteen new tracks and I can really recommand it!
A walk on the Biram side straddles the chasm between sin and redemption and The Bad Testament lands somewhere west of the Old Testament and south of an AA handbook. It’s a record of hard-grinding lost love, blues and deep, dark Americana.
Interesting about the writing proces of his new album is that Scott H. Biram conjured the words and music for The Bad Testament during mad alchemical sessions at his homemade studio in Austin, TX. Through stacks of amps, spools of cable, and a prodigious collection of microphones, he spread his technical wings wide, while never losing the immediacy honed from a life on the road. He added a drum kit and rustic vocal duet to his skill set .
Clear vocals and creative arrangements
Scott H. Biram’s music is like a blended wiskey that doesn’t fit in one barrel. The mix of blues harmonica and guitar riffs are beautifully complemented with clear country and folk lyrics. This one man band musician has one of the clearest voices today if you ask me. And it doesn’t matter if you listen live or on a record. “Long Old Time” is a good example of that.
The opening song of this one-man band musician really reminded me of traditional delta bluesmen like Mississippi John Hurt and the reverend Blind Gary Davis. Most of all because of the melodies you hear between the rhythm guitar parts. That old time blues guitar is mixed with a punk-garage sounds and echoing vocals. Bottleneck Jay brings blues from a fresh angle.
Opening song “Caravane” Bottleneck Jay
“Caravane”, the opening song is a perfect example how he mixes traditional blues with other genres. Bottleneck Jay’s new album Animal is just out and was released February 2017 via Blacklez Records.
Bottleneck Jay Album Design by Arnopeople
The album is design by Arnopeople and contains a cool mix of skateboarding and Rock ‘n’ Roll symbolics. Check out more interesting band and brand design on his website here. Photo credit to: Bottleneck Jay (bandcamp photo) and the original photographer.
Dirty Deeps Gritty Blues: From One Man Band to Blues trio
Hailin’ from France Dirty Deep a.k.a Victor Sbrovazzo started as a one man band musician in 2010. On his second album “Shotgun Wedding” Dirty Deep became a duo. Now with the release of their third ablum these bluesrockers became a trio. Dirty Deep makes gritty blues mixed with folk and rock influences. In the last few years they have spread the religion of the blues all over France succesfully.
Influence from John Lee Hooker to Left Lane Cruiser
Dirty Deep is one of the most talented new bluesmasters around and you will see that in the loud vocals, thrilling harmonica and traditional slide guitar. Check it on Youtube where you’ll find a whole lot of songs of these guys.
Ohio and West Coast one man band blues of Blind Joe Hill
Blind Joe Hill was a bluesman in the tradition of musicians like Joe Hill Louis and Jesse Fuller, the tradition of excellent one man band performers. Blind Joe Hailed from Akron Ohio for the bigger part of his life until he moved to the West Coast. During his Ohio days Joe Hill recorded for the Barrelhouse Record Label a rare album called Boogie In The Dark at the Glass Finger Studios.
Blind Joe Hill Fannie Mae
I listenend to his song Fannie Mae one of Blind Joe Hill’s better known recordings today. Like other one man band performers you really feel the song building up. Starting with the catchy guitar and harmonica, which slowly gets accompanied by the drums where the hi-hat starts ticking, the bass drum sets the beat and the guitar guides the song into a full grown composition. Then.. Blind Joe Hill starts singing.
Buster Brown 1# hit recording
‘Fannie Mae’ was already a hit before Blind Joe Started playing the song. In 1959 Rhythm ‘n blues singer Buster Brown wrote and recorded this song, which became famous through the tricky harmonica riff. Buster scored a #1 hit with ‘Fannie Mae’ in 1960. Nevertheless Blind Joe Hill did a good job transforming this song into a folk blues masterpiece.