The San Fransisco Bay Area is home to some great blues and folk musicians. Like Jesse Fuller who wrote his hit song “San Fransisco Bay Blues” and K.C. Douglas wit his hit ” Mercury Blues”. In line with the heritage of Fuller and Douglas as Bay Area citizen you will also like Soul and Blues inspired band Monophonics who deliver some of the finest modern soul and blues around the world.
Since the Monophonics started in 2005 they have released several albums. Two of those albums are avialable on bandcamp Into The Infrasounds, released in September 2010 and Sound of Sinning in April 2015. Listen to it here..
If you listen to this San Francisco based band you’ll hear multiple genres, styles and grooves. You could see them as a big cocktail with liquor from great soul acts like Al Green and Little Johnny Taylor. On the other hand the psychedelic sound of the 60’s and 70’s. Bands such as The Zombies, The Beatles, Beach Boys and Pink Floyd.
“Can’t leave it Alone” is a song that fits perfect in the repertoire of Dr. John, this groovy New Orleans like blues song swings as hell and kicks of with some great harmonica. On the other hand you will find songs like ” Sound of Sinning” in the Monophonics repertoire, which contain soulfull vocals and deep melodies.
Ohio and West Coast one man band blues of Blind Joe Hill
Blind Joe Hill was a bluesman in the tradition of musicians like Joe Hill Louis and Jesse Fuller, the tradition of excellent one man band performers. Blind Joe Hailed from Akron Ohio for the bigger part of his life until he moved to the West Coast. During his Ohio days Joe Hill recorded for the Barrelhouse Record Label a rare album called Boogie In The Dark at the Glass Finger Studios.
Blind Joe Hill Fannie Mae
I listenend to his song Fannie Mae one of Blind Joe Hill’s better known recordings today. Like other one man band performers you really feel the song building up. Starting with the catchy guitar and harmonica, which slowly gets accompanied by the drums where the hi-hat starts ticking, the bass drum sets the beat and the guitar guides the song into a full grown composition. Then.. Blind Joe Hill starts singing.
Buster Brown 1# hit recording
‘Fannie Mae’ was already a hit before Blind Joe Started playing the song. In 1959 Rhythm ‘n blues singer Buster Brown wrote and recorded this song, which became famous through the tricky harmonica riff. Buster scored a #1 hit with ‘Fannie Mae’ in 1960. Nevertheless Blind Joe Hill did a good job transforming this song into a folk blues masterpiece.
Great modern Country Blues: Mr Hokum’s Gondola Blues
I’m looking forward seeing Mr. Hokum perform his country and piedmont blues live on stage in my local bar café De Bel. I expect the tapping on the tables would begin after a few seconds while we would listen to songs like ‘Steam Engine Train’ and ‘Frankie’. Waking up this morning with Mr Hokum’s the ‘Gondola Blues’ and ‘Blake’s Rag’ I had an impression of the work of this New Orleans musician in a few minutes. It was enough to just kept listening all day.
Finger-style Country blues guitarist
Jason Lawrence from New Orleans is also known as Mr Hokum a finger-style country blues guitarist you might also know as a member of bands like The Hokum High Rollers or The Loose Marbles. Gondola Blues is the first solo album of Lawrence. I absolute recommend listening to this album. Find it here..
With the Hokum High Rollers you will discover a more Jazzy, Swinging and Western style of blues music. Here and there you will find the Cajun and Bluegrass inspiration of this band. The High Rollers explain their history easily: “Hokum’ has been honing there craft on the streets of the French Quarter to smoky bars, festival stage, private events, vaudeville showcases and everything in between since 2011”
Blind Willie Mc Tell – The Georgia blues documentary
David Fulmer made for Georgia Public Television a beautiful documentary about the life of bluesman Blind Willie Mc Tell. This documentary shows how blues music grew out of a desire for better jobs and a better life, how the guitar became a popular instrument and found its way into black hands. It shows how Willie Mc Tell heard the blues for the first time when he moved to Statesboro with his mother and how the blues gave him a life and legacy.
Blind Willie Mc Tell Ragtime Blues from Georgia
Fulmer explains that Blind Willie was the son of Eddie Mc Tier a gambler and moonshiner born in Thomson Georgia. Mc Tier wasn’t much of a father or an influence for Willie as a Bluesman. When Willie and his mother moved to Statesboro and heard that blues, he picked up the guitar and played it like a piano using a bass-rhythm and a melody. It is the Boom – Chick, Boom – Chick rhythm of a dance beat and a melody we know from a honky-tonk piano in the bar.
It is the Ragtime Blues Mc Tell learned in Statesboro. He ran off with the medicine show in Georgia to travel around and play the ragtime blues. He was a real talent and no one could reflect Atlanta’s patchwork energy like Willie Mc Tell. Ragtime is a great style of blues and unlike the delta blues a more melodic and harmonious style. You could hear it a lot on the East Coast in states like Georgia and the Carolinas.
Learning the Blues in Atlanta
In the mid twenties, when Blind Willie Mc Tell’s mother died he really went on his own. For a while he put down his guitar to make moonshine. But soon Mc Tell moved to Atlanta, a city where he could play the blues. The Georgia Rag! Atlanta was the biggest metropolis in the region. Atlanta became a place where entertainment centered and was a recording center for blues and country artist like Fred mc Mullin and Hot Shot Willie Mc Tell.
Atlanta is a great city and was the place where Blind Willie Mc Tell his dreams could grow, but it was also a place with a lot of racism during those days. The Klu Klux Klan was feeding on the fear of whites and they entered city hall. Blacks were forced into the ghetto’s of the city. But even in those roaring 20s Blind Willie Mc Tell kept playing blues. And in 1927 Blind Willie Mc Tell released his first recording at victor records. It would be the start of a marathon through different record labels like Okeh.
Blind Willie Mc Tell was influenced by other bluesman like Blind Blake and he also borrowed from Blind Boy Fuller and from Charlie Patton. But Willie never copied. He was a musician you would think he wrote his own music.
“He was the bob Dylan of his day. Mc Tell played very few covers like other blues musicians did.”
This video was created by David Fulmer for Georgia Public Television (year unknown) and is a part of the South Georgia Folklife Collection at Valdosta State University Archives and Special Collections. This video has been uploaded for educational purposes only.
Jesse Fuller was much more than a magnificent one man band folk blues musician. He was a movie star inter alia in ´the Thief Of Bagdad (1924), he ran a concession stand in front of the Hollywood studios, he was a factory worker in Oakland and an inventor. His influence is huge, everyone in the Bay Area knew Jesse Fuller.
Fuller Born in Georgia, never knew his parents and was raised by a couple who treated him ‘worse than a dog’. At age nine he was able to leave the situation and worked as a cow gazer near Atlanta. He crossed around the country until he moved to Oakland in 1929. In Oakland he developed himself as a musician who could play the 12-string guitar, the harmonica, kazoo, percussion and a foot-operated string bass he had made out of a piano case called the “Fotdella”. In 1954 Arhoolie founder Chris Strachwitz recorded Jesse Fuller with an easy second hand tape machine at Fuller’s house. (The American Book of the Dead, p.126)
Bass instrument the `Fotdella’
For his one man band act Fuller needed a bass instrument. He already used the hi-hat and bass drum pedal and needed an accompaniment instrument. While lying in bed Fuller dreamed about constructing a foot-operated bass instrument. It ended up as a large upright box with a rounded top, Six bass strings were attached to the neck and stretched over the body.