The Turbosonics are delivering Surf Rock like it should be: sleazy, and fast thriving. Their music also pairs well with car cruises, B-movies, street racing, rockabilly, pin-up girls, the 1960’s, and just about any event involving fun, fun, fun. The Band released two full studio albums since their start in 2008: “The Turbosonics” in 2012 and ” Tres Gatos Suave” in 2015.
Susan mixes Garage Rock with pop influenced Rock ‘n’ Roll. This band is ready to release a new limited vinyl 7″ EP called TV Girls. Based in Los Angeles the band shares a love for music and Champagne Cocktails. “Little Notes” is already available for listeners. This song contains happy tunes, up-tempo rhythms, and fast-breaking vocals. Listen here below!
She makes you think back to the days of the Doo Wop singers era and the nostalgic sound of the sixties, The Drifters meet the sixties music scene in a pessimistic soulful duet. With her band, she creates a unique stage presence, always beautiful dresses and melodious soundscape in a dreamy theatre. Prom Queen is definitely a unique voice in today’s music scene.
The Surf rockers from Guantanamo Baywatch are set to release a new album called Desert Center this August. The garage fueled surf rock of this Portland based band has made many people enthusiastic over the years. I’m sure Desert Center is a new shout out for the fine gritty surf sound we like so much.
Over the last few days, more and more sneak previews of this album are released on the internet. At first sight, my favorites anyway are “Area 69” a song that kicks off faster than a speed train and “Blame Myself” which is a ballad Guantanamo Baywatch style. Last but not least ” Video” where the edgy basslines really dig deep.
“Bassist Chevelle Wiseman drives the tune with a thick, throbbing riff while drummer Chris Scott ruthlessly pounds his kit with a crashing clarity”
Guantánamo Baywatch’ blazing nuggets
The band describes the sound of Desert Center pretty nice: “It’s an inadvertent juxtaposition maintained through the entirety of Desert Center, with blazing instrumental nuggets like “The Scavenger” alternating with the proto-grunge and golden oldies mash-up of a track like “Blame Myself.“